Piano Phase is a piece written by Steve Reich in 1967, involving two pianos.
They play a melodic motif loop of 12 notes nimble enough, initially in unison, to gradually shift and gradually create the famous and troubling phase effect mentioned in the title. Play
parts Reich requires concentration and a monstrous rhythmic rigor unusual ... Indeed, it is to remain undisturbed in its execution and not get caught up in the pace of the neighbor, or go into too much effects of music on pain of losing ground. The pianist Peter
Aidu found a clever ploy to avoid being distracted by a second musician: he plays both parts himself. A piano by hand.
It's idiot but he was thinking ...
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